NOMA NTV THURSDAY 4TH SEPTEMBER 2025 FULL EPISODE

Posted on by Octavia Skyripper

Why the Olympus OM-D E-M5 Mark III is Great for Vloggers and Content Creators

The Olympus OM-D E-M5 Mark III, released in October 2019, remains a compelling choice for vloggers and content creators in 2025, offering a compact Micro Four Thirds (MFT) mirrorless camera packed with professional-grade features. Praised by Digital Camera World for bringing “the Micro Four Thirds format right back into contention,” the E-M5 Mark III combines portability, advanced video capabilities, and robust weather sealing, making it a strong option in Kenya’s vibrant content creation scene, particularly in the used market. Its lightweight design and versatile feature set cater to creators seeking quality without the bulk of larger systems. This article explores the E-M5 Mark III’s selling points, ideal users, drawbacks, competitors, and pricing in Kenyan shillings, drawing on insights from reviews and market data.

Key Selling Points

The Olympus OM-D E-M5 Mark III is designed for creators who need a compact, durable camera with professional video and stills capabilities, emphasizing portability and innovative features.

  • High-Quality Video and Stills: The 20.4MP MFT Live MOS sensor, paired with the TruePic VIII processor, delivers sharp, vibrant images with excellent color accuracy, ideal for Instagram posts, YouTube thumbnails, or blog photography, as noted by Amateur Photographer. It records Cinema 4K/24p (237Mbps) and 4K/30p (102Mbps) with full sensor readout, ensuring crisp footage, and Full HD at 120fps for smooth slow-motion, perfect for dynamic vlogs or social media content like TikTok or Reels, as per Photography Blog. The High Res Shot mode captures 50MP JPEGs or 80MP RAW files via sensor-shift technology, ideal for detailed stills, though it requires a tripod for best results.
  • Class-Leading Stabilization: The 5-axis in-body image stabilization (IBIS) offers up to 5.5 stops of shake reduction (6.5 stops with compatible lenses like the M.Zuiko 12-100mm f/4 IS PRO), ensuring smooth handheld video for vloggers, as highlighted by Trusted Reviews. This allows sharp stills at slow shutter speeds (e.g., 1/4 second handheld), reducing the need for a gimbal or tripod, as per TechRadar.
  • Vlogging-Friendly Design: The 3-inch, 1.04M-dot fully articulating touchscreen LCD is ideal for solo vloggers, enabling self-framing and flexible shooting angles, as noted by Camera Decision. The 2.36M-dot OLED EVF aids composition in bright light, and the compact, weather-sealed polycarbonate body (414g with battery, 125 x 85 x 50mm) is dustproof, splashproof (IPX1 rating), and freezeproof to -10°C, perfect for Kenya’s varied climates, from rainy highlands to dusty safaris, as per Amateur Photographer. The retro design in silver or black adds style, appealing to content creators, as per Stuff.
  • Fast Autofocus: The 121-point hybrid phase/contrast-detection autofocus system with face and eye detection covers most of the sensor, offering reliable focus for stillJonah Hill’s “Mad Max: Fury Road” (2015) was a post-apocalyptic action film that won six Oscars and was nominated for Best Picture. It’s set in a desert wasteland where a tyrannical cult leader rules over survivors, and follows Max, a wandering warrior, and Furiosa, a rebel, as they lead a revolt. The film’s kinetic energy, practical effects, and feminist themes made it a critical and commercial success. However, its frenetic editing and lack of character depth drew some criticism.

Selling Points for Vloggers and Content Creators:

  • High-Quality Video and Stills: The 24.2MP APS-C sensor paired with the DIGIC 8 processor delivers vibrant images and 4K/30p video with excellent dynamic range, ideal for YouTube vlogs, Instagram Reels, or professional content. The vertical video mode and Creative Assist filters simplify content creation for social media, making it beginner-friendly.
  • Vlogging-Friendly Design: The fully articulating 3-inch touchscreen LCD is perfect for self-framing, and the compact, lightweight body (301g) is highly portable for travel or on-the-go shooting. The included Tripod Grip HG-100TBR enhances vlogging setups.
  • Fast Autofocus: Dual Pixel CMOS AF with Eye Detection ensures sharp focus for vlogs and portraits, though it’s less effective in 4K due to contrast-detection limitations.
  • Connectivity: Wi-Fi and Bluetooth enable seamless file transfers via the Canon Camera Connect app, with webcam functionality for live streaming, streamlining social media workflows.
  • Lens Compatibility: The EF-M mount supports compact lenses like the EF-M 15-45mm f/3.5-6.3 IS STM, with options like the EF-M 22mm f/2 for better low-light performance.

Who It’s Best For:

  • Beginner Vloggers: Ideal for YouTube or TikTok creators starting with lifestyle or travel vlogs due to its ease of use and flip-out screen.
  • Social Media Influencers: Perfect for creating vibrant, ready-to-post content for Instagram or Reels with minimal editing, thanks to Canon’s color science.
  • Travel Creators: Its lightweight design suits capturing Kenya’s landscapes or urban scenes.
  • Smartphone Upgraders: Offers a significant sensor and lens upgrade with a familiar interface for those moving from phone photography.
  • Budget-Conscious Creators: Affordable entry into Canon’s mirrorless ecosystem, especially in the used market.

Drawbacks:

  • No Microphone Input: Reliance on the built-in mic limits audio quality, requiring external recorders like the Zoom H1n (~KSh 10,000).
  • 4K Limitations: The 1.6x crop and contrast-detect AF in 4K reduce its effectiveness compared to Full HD, limiting cinematic flexibility.
  • No IBIS: Relies on lens-based or digital stabilization, which crops footage, making handheld 4K video shaky without a gimbal.
  • No EVF: Lacks a viewfinder, challenging in bright light compared to cameras like the Olympus E-M5 Mark III.
  • Limited EF-M Lenses: The discontinued EF-M mount has few native lenses, restricting long-term growth.
  • Battery Life: 315 shots or ~40-60 minutes of video requires spares and lacks USB charging.

Competitors:

  • Olympus OM-D E-M5 Mark III: 4K/30p, 5-axis IBIS, weather-sealed, but subpar 4K autofocus and no USB-C charging. Approx. KSh 80,000-120,000.
  • Sony ZV-1F: 4K/30p, mic input, ultra-compact, but digital-only stabilization and no Raw. Approx. KSh 60,000-80,000.
  • Panasonic Lumix G100D: 4K/30p, mic input, flip-out screen, but no IBIS and average autofocus. Approx. KSh 70,000-90,000.
  • Fujifilm X-A7: 4K/30p, large articulating screen, but no IBIS and soft 4K autofocus. Approx. KSh 80,000-100,000.

Pricing in Kenyan Shillings:

  • New body only: KSh 60,000-80,000 (~$465-$620 USD), though stock is scarce.
  • New with EF-M 15-45mm lens or Content Creator Kit: KSh 70,000-90,000 (~$540-$700 USD).
  • Used/refurbished body only: KSh 40,000-60,000 (~$310-$465 USD).
  • Used with 15-45mm lens: KSh 50,000-70,000 (~$390-$540 USD).

Prices reflect the used market due to discontinuation, with import duties adding 10-20%. Check Jiji, Jumia, or Cameras Africa for deals.

Conclusion: The Canon EOS M200 is a budget-friendly, compact camera ideal for beginner vloggers and influencers. Its vibrant output and flip-out screen are great for social media, but the lack of a mic input and 4K limitations may push advanced users toward alternatives like the Olympus E-M5 Mark III. Pair it with a tripod grip and external mic for an affordable vlogging setup.

Sony ZV-E10 II

Selling Points for Vloggers and Content Creators:

  • High-Quality Video: The 26MP APS-C Exmor CMOS sensor with BIONZ XR processor delivers 4K/60p video (10-bit 4:2:2 internally) and Full HD/120fps, ideal for cinematic vlogs or professional content. S-Log3 and HLG support advanced color grading.
  • Vlogging-Friendly Design: The fully articulating 3-inch touchscreen and compact body (343g) are perfect for solo vlogging, with a tally lamp and vlog-specific modes like Background Defocus.
  • Advanced Autofocus: Real-time Eye AF and tracking ensure precise focus for dynamic vlogging, performing well in low light (-4 EV).
  • Audio and Connectivity: Mic and headphone jacks, plus Wi-Fi/Bluetooth for seamless file transfers and streaming via Sony’s Imaging Edge.
  • Lens Compatibility: The E-mount supports a wide range of lenses, from the compact 16-50mm kit lens to primes like the Sigma 16mm f/1.4 (~KSh 50,000).

Who It’s Best For:

  • Intermediate Vloggers: Ideal for creators needing 4K/60p and reliable autofocus for YouTube or TikTok.
  • Social Media Creators: Perfect for polished Reels or Shorts with minimal editing.
  • Travel Creators: Compact design suits Kenya’s diverse shooting environments.
  • Sony E-Mount Users: Benefits from a vast lens ecosystem for long-term growth.
  • Content Creators Seeking Audio Quality: Mic and headphone jacks cater to professional needs.

Drawbacks:

  • No IBIS: Relies on lens-based or digital stabilization (with crop), requiring a gimbal for smooth 4K/60p footage.
  • 4K Crop: A 1.1x crop in 4K/60p narrows the field of view, needing wider lenses.
  • Complex Menus: Sony’s interface can be less intuitive for beginners.
  • Battery Life: ~440 shots or ~60-90 minutes of 4K video requires spares.
  • Price: Higher cost than budget options, overlapping with full-frame cameras like the Nikon Z6 II.

Competitors:

  • Canon EOS M200: 4K/24p, flip-out screen, beginner-friendly, but no mic input and cropped 4K. Approx. KSh 70,000-90,000.
  • Olympus OM-D E-M5 Mark III: 4K/30p, IBIS, weather-sealed, but subpar 4K autofocus. Approx. KSh 80,000-120,000.
  • Fujifilm X-A7: 4K/30p, large articulating screen, but no IBIS and soft 4K autofocus. Approx. KSh 80,000-100,000.
  • Panasonic Lumix G100D: 4K/30p, mic input, but no IBIS and average autofocus. Approx. KSh 70,000-90,000.

Pricing in Kenyan Shillings:

  • New body only: KSh 100,000-120,000 (~$775-$930 USD).
  • New with 16-50mm f/3.5-5.6 OSS lens: KSh 110,000-130,000 (~$850-$1,000 USD).
  • Used/refurbished body only: KSh 70,000-90,000 (~$540-$700 USD).
  • Used with 16-50mm lens: KSh 80,000-100,000 (~$620-$775 USD).

Prices reflect new and used markets, with import duties adding 10-20%. Check Jiji, Jumia, or EAMobitech for deals.

Conclusion: The Sony ZV-E10 II is a vlogging powerhouse with 4K/60p, excellent autofocus, and audio options, ideal for intermediate creators. Its lack of IBIS and higher price may deter beginners, who might prefer the Canon EOS M200 for affordability. Pair it with a Sigma 16mm f/1.4 and Rode VideoMicro (~KSh 8,000) for a professional setup.

Fujifilm X-T3

Selling Points for Vloggers and Content Creators:

  • Exceptional Video Quality: The 26.1MP APS-C X-Trans CMOS 4 sensor with X-Processor 4 delivers 4K/60p (10-bit 4:2:0 internally) with F-Log and Eterna profiles, perfect for cinematic vlogs or short films. Full HD/120fps supports slow-motion.
  • Stunning Stills: Vibrant JPEGs with film simulations (e.g., Velvia, Acros) are ideal for Instagram or YouTube thumbnails with minimal editing.
  • Fast Autofocus: 425-point hybrid autofocus with face/eye detection ensures reliable focus, though it’s less advanced than Sony’s tracking.
  • Design: The weather-sealed, retro-styled body (539g) with a three-way tilting LCD and 3.69M-dot EVF balances style and functionality.
  • Audio and Connectivity: Mic and headphone jacks, plus Wi-Fi/Bluetooth for seamless transfers and webcam use.
  • X-Mount Lenses: Supports versatile lenses like the XF 18-55mm f/2.8-4 (~KSh 50,000) or XF 16mm f/1.4 (~KSh 100,000) for vlogging.

Who It’s Best For:

  • Intermediate to Advanced Vloggers: 4K/60p and audio options suit cinematic YouTube or TikTok content.
  • Social Media Creators: Film simulations produce ready-to-post content.
  • Travel Creators: Weather sealing and compact lenses are ideal for Kenya’s diverse environments.
  • Hybrid Creators: Balances stills and video for versatile content creation.
  • Fujifilm Enthusiasts: Benefits from X-mount lenses and retro aesthetics.

Drawbacks:

  • No IBIS: Relies on lens-based or digital stabilization, requiring a gimbal for smooth video.
  • Non-Fully Articulating Screen: The tilting LCD limits self-framing flexibility.
  • Complex Controls: Retro dials can overwhelm beginners.
  • Battery Life: ~390 shots or ~40-60 minutes of 4K video requires spares.
  • Discontinued: Limited new stock increases used market prices.

Competitors:

  • Olympus OM-D E-M5 Mark III: 4K/30p, IBIS, weather-sealed, but subpar 4K autofocus. Approx. KSh 80,000-120,000.
  • Sony ZV-E10 II: 4K/60p, superior autofocus, but no IBIS. Approx. KSh 100,000-130,000.
  • Canon EOS R50: 4K/60p, flip-out screen, but no IBIS and limited lenses. Approx. KSh 90,000-120,000.
  • Panasonic Lumix G100D: 4K/30p, mic input, but no IBIS and average autofocus. Approx. KSh 70,000-90,000.

Pricing in Kenyan Shillings:

  • New body only: KSh 120,000-140,000 (~$930-$1,085 USD), though scarce.
  • New with XF 18-55mm lens: KSh 150,000-180,000 (~$1,160-$1,400 USD).
  • Used/refurbished body only: KSh 80,000-100,000 (~$620-$775 USD).
  • Used with 18-55mm lens: KSh 100,000-120,000 (~$775-$930 USD).

Prices reflect the used market due to discontinuation, with import duties adding 10-20%. Check Jiji, Jumia, or Cameras Africa.

Conclusion: The Fujifilm X-T3 offers cinematic 4K/60p and vibrant stills, ideal for advanced vloggers and hybrid creators. Its lack of IBIS and tilting-only screen may push solo vloggers toward the Olympus E-M5 Mark III for stabilization. Pair it with an XF 16mm f/1.4 and Rode VideoMic Pro (~KSh 25,000) for a professional setup.

Panasonic Lumix G85

Selling Points for Vloggers and Content Creators:

  • High-Quality Video and Stills: The 16MP MFT sensor delivers sharp 4K/30p video and vibrant stills, with 4K Photo mode for creative flexibility.
  • 5-Axis IBIS: Up to 5 stops of stabilization ensures smooth handheld footage, ideal for vloggers without a gimbal.
  • Design: The fully articulating 3-inch touchscreen and weather-sealed body (503g) are durable for Kenya’s varied climates, with a 2.36M-dot EVF for bright conditions.
  • Audio and Connectivity: Mic and headphone jacks, plus Wi-Fi for seamless transfers and webcam use.
  • MFT Lenses: Compact lenses like the 12-60mm f/3.5-5.6 (~KSh 30,000) or Leica 15mm f/1.7 (~KSh 50,000) offer versatility.

Who It’s Best For:

  • Beginner to Intermediate Vloggers: Articulating screen and IBIS suit YouTube or TikTok vlogs.
  • Travel Creators: Weather sealing and compact lenses are ideal for Kenya’s environments.
  • Social Media Creators: Vibrant images for Instagram or Reels with minimal editing.
  • Smartphone Upgraders: Larger sensor and lens options with intuitive controls.
  • MFT Users: Benefits from affordable, compact lenses.

Drawbacks:

  • Subpar 4K Autofocus: DFD autofocus struggles in 4K, making Full HD preferable.
  • Smaller Sensor: 16MP MFT sensor has more noise at high ISOs than APS-C.
  • Soft Full HD: Less sharp than 4K, limiting quality for storage-conscious creators.
  • Battery Life: ~330 shots or ~40-60 minutes of 4K video requires spares.
  • Discontinued: Limited new stock increases used market prices.

Competitors:

  • Olympus OM-D E-M5 Mark III: 4K/30p, superior IBIS, weather-sealed, but subpar 4K autofocus. Approx. KSh 80,000-120,000.
  • Sony ZV-E10 II: 4K/60p, excellent autofocus, but no IBIS. Approx. KSh 100,000-130,000.
  • Fujifilm X-A7: 4K/30p, large screen, but no IBIS and soft 4K autofocus. Approx. KSh 80,000-100,000.
  • Canon EOS R50: 4K/60p, flip-out screen, but no IBIS and limited lenses. Approx. KSh 90,000-120,000.

Pricing in Kenyan Shillings:

  • New body only: KSh 70,000-90,000 (~$540-$700 USD), though scarce.
  • New with 12-60mm lens: KSh 80,000-100,000 (~$620-$775 USD).
  • Used/refurbished body only: KSh 50,000-70,000 (~$390-$540 USD).
  • Used with 12-60mm lens: KSh 60,000-80,000 (~$465-$620 USD).

Prices reflect the used market due to discontinuation, with import duties adding 10-20%. Check Jiji, Jumia, or Cameras Africa.

Conclusion: The Panasonic Lumix G85 offers 4K/30p, IBIS, and a weather-sealed body, ideal for beginner to intermediate vloggers. Its 4K autofocus and smaller sensor may push advanced users toward the Olympus E-M5 Mark III for better stabilization. Pair it with a 12-60mm lens and Rode VideoMicro (~KSh 8,000) for a budget-friendly setup.

Nikon Z6 II

Selling Points for Vloggers and Content Creators:

  • High-Quality Video and Stills: The 24.5MP full-frame sensor delivers 4K/60p video (with firmware update) and vibrant stills, ideal for professional vlogs or client work. Supports 10-bit N-Log/12-bit RAW externally.
  • Advanced Autofocus: 273-point hybrid autofocus with Eye AF ensures precise focus for dynamic vlogging.
  • 5-Axis IBIS: Up to 5 stops of stabilization ensures smooth handheld footage.
  • Design: The weather-sealed body (705g) with a tilting 3.2-inch touchscreen and 3.69M-dot EVF is durable for Kenya’s climates.
  • Audio and Connectivity: Mic and headphone jacks, dual card slots, and Wi-Fi/Bluetooth for professional workflows.
  • Z-Mount Lenses: Supports versatile lenses like the NIKKOR Z 24-70mm f/4 (~KSh 90,000) for vlogging.

Who It’s Best For:

  • Advanced Vloggers: 4K/60p and audio options suit cinematic YouTube or professional content.
  • Social Media Creators: Polished content for Instagram or Reels with minimal editing.
  • Travel Creators: Weather sealing for Kenya’s diverse environments.
  • Hybrid Creators: Balances stills and video for versatile shoots.
  • Nikon Users: Benefits from Z-mount lens growth.

Drawbacks:

  • Tilting-Only LCD: Limits self-framing for solo vloggers without a monitor.
  • 4K/60p Crop: 1.5x crop narrows the field of view, requiring wider lenses.
  • Autofocus: Reliable but lags behind Sony or Canon for tracking.
  • Battery Life: ~410 shots or ~60-90 minutes of 4K video requires spares.
  • Price: Higher cost overlaps with newer APS-C models like the Fujifilm X-M5.

Competitors:

  • Sony Alpha a7 III: 4K/30p, IBIS, vast E-mount lenses, but tilting LCD and 4K crop. Approx. KSh 120,000-230,000.
  • Olympus OM-D E-M5 Mark III: 4K/30p, superior IBIS, but subpar 4K autofocus. Approx. KSh 80,000-120,000.
  • Canon EOS R6 Mark II: 4K/60p no crop, Dual Pixel AF, but pricier. Approx. KSh 300,000-360,000.
  • Panasonic Lumix S5 II: 6K video, phase-detect AF, but tilting LCD. Approx. KSh 200,000-250,000.

Pricing in Kenyan Shillings:

  • New body only: KSh 200,000-230,000 (~$1,550-$1,780 USD).
  • New with 24-70mm f/4 lens: KSh 260,000-300,000 (~$2,015-$2,330 USD).
  • Used/refurbished body only: KSh 150,000-180,000 (~$1,160-$1,400 USD).
  • Used with 24-70mm lens: KSh 200,000-230,000 (~$1,550-$1,780 USD).

Prices reflect new and used markets, with import duties adding 10-20%. Check Cameras Africa, Jiji, or EAMobitech.

Conclusion: The Nikon Z6 II delivers professional full-frame performance, ideal for advanced vloggers and hybrid creators. Its tilting LCD and 4K/60p crop may push solo vloggers toward the Olympus E-M5 Mark III for a flip-out screen and compact size. Pair it with a NIKKOR Z 24-70mm f/4 and Rode VideoMic Pro (~KSh 25,000) for a professional setup.

Sony Alpha a7 III

Selling Points for Vloggers and Content Creators:

  • High-Quality Video and Stills: The 24.2MP full-frame sensor delivers 4K/30p (no crop at 24p) and vibrant stills, supporting S-Log3/HLG for professional grading.
  • Advanced Autofocus: 693-point phase-detection with Eye AF ensures precise focus for vlogging.
  • 5-Axis IBIS: 5 stops of stabilization for smooth handheld footage.
  • Design: Weather-sealed body (650g) with a tilting 3-inch touchscreen and 2.36M-dot EVF.
  • Audio and Connectivity: Mic and headphone jacks, plus Wi-Fi/Bluetooth for streaming and transfers.
  • E-Mount Lenses: Vast lens options, from Sigma 16mm f/1.4 (~KSh 50,000) to Sony FE 24-70mm f/2.8 GM (~KSh 200,000).

Who It’s Best For:

  • Intermediate to Advanced Vloggers: 4K/30p and audio options for professional YouTube content.
  • Social Media Creators: Vibrant output for Instagram or Reels.
  • Travel Creators: Weather sealing for Kenya’s environments.
  • Hybrid Creators: Balances stills and video for versatile shoots.
  • Sony Users: Benefits from E-mount lens variety.

Drawbacks:

  • Tilting-Only LCD: Limits self-framing without a monitor.
  • 4K/30p Crop: 1.2x crop narrows the field of view.
  • Complex Menus: Less intuitive for beginners.
  • Battery Life: ~710 shots or ~60-90 minutes of 4K video requires spares.
  • Outdated Features: Lacks 4K/60p or AI-driven autofocus of newer models.

Competitors:

  • Nikon Z6 II: 4K/60p, dual card slots, but 4K/60p crop and tilting LCD. Approx. KSh 200,000-300,000.
  • Olympus OM-D E-M5 Mark III: 4K/30p, IBIS, compact, but subpar 4K autofocus. Approx. KSh 80,000-120,000.
  • Canon EOS R6 Mark II: 4K/60p no crop, but pricier and limited lenses. Approx. KSh 300,000-360,000.
  • Panasonic Lumix S5 II: 6K video, phase-detect AF, but tilting LCD. Approx. KSh 200,000-250,000.

Pricing in Kenyan Shillings:

  • New body only: KSh 180,000-200,000 (~$1,400-$1,550 USD), though scarce.
  • New with 28-70mm f/3.5-5.6 lens: KSh 200,000-230,000 (~$1,550-$1,780 USD).
  • Used/refurbished body only: KSh 120,000-150,000 (~$930-$1,160 USD).
  • Used with 28-70mm lens: KSh 140,000-170,000 (~$1,085-$1,320 USD).

Prices reflect the used market due to discontinuation, with import duties adding 10-20%. Check Jiji, Jumia, or Cameras Africa.

Conclusion: The Sony a7 III offers full-frame quality and robust autofocus, ideal for intermediate to advanced vloggers. Its tilting LCD and lack of 4K/60p may push solo vloggers toward the Olympus E-M5 Mark III for a flip-out screen. Pair it with a Sigma 16mm f/1.4 and Rode VideoMic Pro (~KSh 25,000) for a professional setup.

Recommendation

For vloggers and content creators, the Olympus OM-D E-M5 Mark III stands out as the best choice among these cameras for its balance of portability, weather sealing, and class-leading 5-axis IBIS, which ensures smooth handheld footage without a gimbal—a critical feature for run-and-gun vlogging in Kenya’s varied environments. Its fully articulating screen is ideal for solo vloggers, and the MFT lens ecosystem offers compact, affordable options like the M.Zuiko 12-40mm f/2.8 PRO (~KSh 70,000). While its 4K autofocus is subpar, Full HD performance is reliable, and the mic/headphone jacks support professional audio with an external mic like the Olympus ME-1 (~KSh 5,000). For beginners on a tight budget, the Canon EOS M200 is a more affordable alternative, but its lack of a mic input and IBIS limits its versatility. Advanced creators needing 4K/60p might prefer the Sony ZV-E10 II or Fujifilm X-T3, but their lack of IBIS and higher cost make them less practical for handheld vlogging. The Nikon Z6 II and Sony a7 III offer superior full-frame quality but are pricier and less vlogging-friendly due to tilting-only screens. Pair the E-M5 Mark III with a Joby GorillaPod (~KSh 5,000) for a versatile, weather-resistant vlogging setup under KSh 120,000 in Kenya’s used market.

NOMA NTV THURSDAY 4TH SEPTEMBER 2025 FULL EPISODE

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